Take Two - the musical enigma that brought the Stone Roses to Staniforth Road

Take Two - the musical enigma that brought the Stone Roses to Staniforth Road

From industrial powerhouse to Banners department store and reputedly the first escalators in the country – Sheffield's Attercliffe district has won many accolades over the years.

But one thing often forgotten is the trailblazing music venue that opened in  1986. Neil Anderson – with help from former Star music writer John Quinn - thinks it's about time it gets the credit it deserves.

Attercliffe’s Take Two club was definitely an enigma in the mid-1980s. In terms of a business model, Staniforth Road’s Take Two seemed, at best, questionable. But, to the surprise of many, it worked and cool people, it seemed, were quite happy to travel out to darkest Attercliffe for a night out.

Marcus Reynolds followed the Thatcherite doctrine and made his dream happen via the Government’s £30-a-week Enterprise Allowance Scheme.

He opened Attercliffe’s Take Two club to the world on Saturday, December 13, 1986.

Within a six months even the Stone Roses (albeit rather unknown at that point) were gracing the stage and the Alarm (pictured) were in residence.

It took a bus ride to get there, there seemed to be no decent pubs within a four mile radius and no one seems to have any idea how they got home again but Take Two, for a few years, kept the wolves from the doors and proved you didn’t need to be on West Street or Leadmill Road to keep the left of centre generation in wine (or lager), women (and men), and song.

Announcing Take Two

Music writer of The Star, John Quinn, was one of the devout regulars and seems to have better recollections that most...

“Marcus was very tolerant of the ranks of punks, psychobillies, skinheads and assorted ne'r-do-wells who frequented the venue, and this policy of politeness paid off. I can't recall there ever being trouble at this particular place. There is a tale about the eternally-overrated Stone Roses making their Sheffield debut and getting into a scuffle before taking to the stage because the support act had placed a Confederate flag there. I don't know the outcome but as the saying goes, it ain't over till the flat laddie sings.

“In 1987 I became editor of The Star's pop page so I was a regular writer about and visitor to Take Two, mainly a live music venue but also occasionally the place for indie music discos.

“People go on about the power of the press. Maybe on a national level, but local music journalists tend to delude themselves - I know I did - that what they write is somehow important. It may be a bit to the local bands we write about (that Pulp lot would never have made it without me, blah blah blah) but on a general level it doesn't matter one jot.

“This was proved to me when Take Two played host to a Northern Irish band called Bam Bam And The Calling who I'd described on the pop page as 'better than The Beatles' on the grounds that one of them was actually called Paul McCartney and as a sulky early-20s punk fan I wasn't too fond of the Fab Four at the time. Their first single was produced by song writing god John O'Neill, of Undertones/That Petrol Emotion fame and the latter band were actually named after one of their numbers. How could they possibly fail? This shameless bit of hype led to them attracting a massive audience of...ooh...four. Which wasn't fab, but I bravely fought my way to the front and enjoyed them anyway.

“However the  venue had some bigger names too. Primal Scream and Dinosaur Jr played to full houses, while the Lee Brilleaux-led late-80s line-up of Dr Feelgood and punk veterans UK Subs seemed to be in a competition to see who could play there most often.

“The premature closure of the venue left one less outlet for local and left-field acts to peddle their wares. And I still think Bam Bam And The Calling were better than The Beatles.”

* We've now produced a brand new T-shirt to honour Sheffield's Take Two.